Images Courtesy of KNOWN GALLERY, LOS ANGELES.
Images Courtesy of KNOWN GALLERY, LOS ANGELES.
KNOWN GALLERY LA PRESENT "WEST COAST HIP HOP" AND "UNDER OVER"
POST BY DOLORIES ADAMS
FOR INFORMATION/MEDIA CREDENTIALS/SALES/SHOW CATALOG PDF: Naheed Simjee / naheed@knowngallery.com / 310-860-6263 Casey Zoltan, Curatorial Director / casey@knowngallery.com
Michael Miller
West Coast Hip Hop | A History in Pictures Michael Miller is a simple man with an extraordinary life in photography. Over the past 25 years, he has built an expansive portfolio that includes over 300 major record covers, the most iconic supermodels of the ‘90s and some of the biggest names in rap and jazz. Miller was born and raised in Los Angeles and recalls the only radio station that came in clear where he lived during his teenage years was AM 1580 KDAY. As a Santa Monica High School student in the midst of the punk, surf and skate scene, he was listening to RUN DMC, Doug E. Fresh and Slick Rick. Miller graduated from UCLA with a B.A. in Film and Television and after college, he took a trip with friends to explore Paris where he met then boxer turned top agent Rene Bosne, who in time became Miller’s roommate in Paris and introduced Miller to his first camera.
West Coast Hip Hop | A History in Pictures Michael Miller is a simple man with an extraordinary life in photography. Over the past 25 years, he has built an expansive portfolio that includes over 300 major record covers, the most iconic supermodels of the ‘90s and some of the biggest names in rap and jazz. Miller was born and raised in Los Angeles and recalls the only radio station that came in clear where he lived during his teenage years was AM 1580 KDAY. As a Santa Monica High School student in the midst of the punk, surf and skate scene, he was listening to RUN DMC, Doug E. Fresh and Slick Rick. Miller graduated from UCLA with a B.A. in Film and Television and after college, he took a trip with friends to explore Paris where he met then boxer turned top agent Rene Bosne, who in time became Miller’s roommate in Paris and introduced Miller to his first camera.
Miller began landing jobs shooting models for John Casablanca and later relocated to Barcelona, Spain where he began to build an impressive portfolio shooting for major campaigns such as Cacharel Paris.
Influenced by the techniques of Peter Lindberg, Paulo Roversi and Javier Vallhonrat, Miller developed a method of cross processing film and different chemical baths for black and white photographs. He was on to something that was still undiscovered in the United States, sharing his method with fellow photographers such as Anton Corbijn.
Homesick, Miller returned to his Los Angeles stomping grounds in 1988 and was immediately picked up by Herb Ritts’ agency Visages, shooting three advertisements for Vogue in the first month. His recognition for technique and style in fashion photography gained him attention in the music industry.
By the end of 1988, he had photographed his first rapper, Arabian Prince.
Impressed with his major campaign for Stussy, DJ Muggs (7A3, Cypress Hill) asked Miller to photograph the demo for a new project titled Cypress Hill that led Miller to becoming a heavily sought after photographer for the hip-hop community.
Miller continues shooting for advertisment campaigns, major publications, celebrities and musicians. He currently resides with his wife and two daughters in Los Angeles. His inaugural show, West Coast Hip Hop, A History in Pictures, will display 43 photos, majority of which have never been shown to the public.
ERNEST HOLZMAN
UNDER OVER When Ernest Holzman (b. 1951, Mexico City) was fifteen years old, he was given his first camera; a Leica M4 with a 50 mm lens. Originally a gift for his father from a colleague at the German Embassy, his father knew his son would put the camera to better use. Bored with high school, Holzman soon found himself walking the streets of New York, never searching for anything in particular to photograph, but always with the camera by his side. A novice in his newfound hobby, Holzman persuaded a man he met who worked for the Black Star Agency into giving him a few freelance assignments, which lead to being published anonymously in several obscure trade publications. As a young and ambitious photographer, Holzman would knock on doors and convince people to let him shoot in places not open to the public. One night, after a run in with the authorities, Holzman spent the night in jail. After his release, he returned the following day and asked the jailer for permission to photograph the intriguing inmates he had befriended. The jailer agreed, with the condition that Holzman maintain their anonymity and only shoot their silhouettes, as seen in the photograph titled SOLITAIRE. An inspired Holzman traveled to bizarre places, lugging around his not so compact 5×7 and 4×5 cameras and a portable darkroom in the back of his car. This was just the beginning of what became a career in photography that has spanned nearly three decades. Under Over is an intimate collection of fourteen photographs taken between 1966-1972, primarily in cities east of the Mississippi. This will be Holzman’s first gallery exhibition of these vintage photographs.
UNDER OVER When Ernest Holzman (b. 1951, Mexico City) was fifteen years old, he was given his first camera; a Leica M4 with a 50 mm lens. Originally a gift for his father from a colleague at the German Embassy, his father knew his son would put the camera to better use. Bored with high school, Holzman soon found himself walking the streets of New York, never searching for anything in particular to photograph, but always with the camera by his side. A novice in his newfound hobby, Holzman persuaded a man he met who worked for the Black Star Agency into giving him a few freelance assignments, which lead to being published anonymously in several obscure trade publications. As a young and ambitious photographer, Holzman would knock on doors and convince people to let him shoot in places not open to the public. One night, after a run in with the authorities, Holzman spent the night in jail. After his release, he returned the following day and asked the jailer for permission to photograph the intriguing inmates he had befriended. The jailer agreed, with the condition that Holzman maintain their anonymity and only shoot their silhouettes, as seen in the photograph titled SOLITAIRE. An inspired Holzman traveled to bizarre places, lugging around his not so compact 5×7 and 4×5 cameras and a portable darkroom in the back of his car. This was just the beginning of what became a career in photography that has spanned nearly three decades. Under Over is an intimate collection of fourteen photographs taken between 1966-1972, primarily in cities east of the Mississippi. This will be Holzman’s first gallery exhibition of these vintage photographs.
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